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Formats & Adaptations


THE GREEN ROOM PROJECT
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Projects In The Portfolio

Bright Thoughts is now actively licensing based on its catalogue of performance-led programming. 
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With high on-screen value Bright Thoughts has a portfolio which is effectively new, virgin programme content screened mostly just once.  Selected content is now being progressively remastered for distribution to new markets.
​THEATRICAL  //  STREAMING  //  DOWNLOAD TO OWN (DTO/EST)  //  FORMAT LICENSING  //  INFLIGHT DISTRIBUTION

In The Green Room

Top C's & Tiaras™

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Shows which celebrate the world of Operetta & Musical Comedy became known as 
​Top C's & Tiaras™. 

Say Your Piece (w/t)

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Celebrating the monologue.  Renowned artists performing their favourite theatrical speeches; star actors 'do a turn'.

Front Row (w/t)

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Theatre-On-Demand - plays with a small cast, adapted for television and typically truncated into the one-hour transmission slot. 
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Remastered in HD

With Here's A Funny Thing digitised and remastered in 2024, prepared for re-release.  Also in 2025 for a different audience Macready! now remastered.  Screeners are available.  More shows in the pipeline.
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Licensed Clips

Teaser clips of legendary artists.  Bright Thoughts productions carry a small but important archive of some extraordinary footage, rare and unique performances of some legendary artists.
Find Out More
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Neil's Notes:
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The Green Room Project progressively brings to life effectively new content to distribute to new viewing audiences.  We are undertaking more digitisation and remastering projects and seeking new distribution deals.  Some of our IP which remains strong - proven yet not used to their potential - we aim to repurpose with new partners for new markets and to reach new audiences.

With over 70 titles under our belt, mostly unseen by generations today and therefore effectively new programme content.  It would be true to say that not all our product turned to gold, but some did.  

It would be also true to say the early Bright Thoughts worked tirelessly to help kick-start the entertainment and music output when Channel 4 first came to air.  Most commissions had a specific brief for a particular slot, not always for a popular audience, some for minority specialist groups in a way which would not likely happen today.  However, all commissions demanded innovation of some kind, that was the vibe for the 'new indies'.

The early C4 contracts were for two UK screenings only.  What survived was later parked in the BFI Archive and has remained largely unseen.  Therefore, unless viewers alive 'back in the day' set their video recorder, the rest of the potential audiences alive today would simply not know they exist.
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Exterior photos of Neil Anthony 2024 by Frank Da Silva © FDAS.co 
Interior photos of Neil Anthony 2024 by Style Photography © 
 Stock images courtesy of Prexels and Pixabay
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