Nonstop music . . .
The original Bright Thoughts treatment offered Channel 4 innovations which simply could not be logistically achieved at that time by staff directors and producers at an ITV or BBC studio. Therefore this format could only be produced by an independent production company.
Top C's & Tiaras™
Top C's & Tiaras™ looks at operetta and musical comedy from around 1850 (Paris) through to about the 1950 (New York). The one hour pilot for Channel 4 [currently missing in the British Film Archive] was recorded at the Warwick Arts Trust, Pimlico, Olympic sound-studios, London, and on location in Central London.
Top C's & Tiaras 2 was a special for a peak-time slot on a Bank Holiday, designed as fast-moving, popular non-stop music. Recorded at Odyssey sound-studios, Kew Gardens, and other London locations [also currently missing in the British Film Archive].
The Top C's & Tiaras Series were all recorded (by Barcud) at a lavish Downton Abbey-like stately home Wrotham Park for reasons of being able to do a weekly turnaround. All shows one hour transmission starring American soprano Julia Migenes*. Burt Rhodes (music associate) and orchestra conducted by Harry Rabinowitz. The ensemble singers included Marilyn Hill Smith (soprano), Peter Morrison (baritone) and guest stars including Benjamin Luxon. Our tenors included Hugh Hetherington, Ramon Remedios, Neil Jenkins, David Fieldsend, and our mezzo sopranos included Jean Bailey, Della Jones, Eirian James, and Linda Ormiston.
Each episode features different themes within operetta with new musical arrangements for each. The musical line-up being played by full orchestra, piano-only, and also an octet:
Top C's & Tiaras 2 was a special for a peak-time slot on a Bank Holiday, designed as fast-moving, popular non-stop music. Recorded at Odyssey sound-studios, Kew Gardens, and other London locations [also currently missing in the British Film Archive].
The Top C's & Tiaras Series were all recorded (by Barcud) at a lavish Downton Abbey-like stately home Wrotham Park for reasons of being able to do a weekly turnaround. All shows one hour transmission starring American soprano Julia Migenes*. Burt Rhodes (music associate) and orchestra conducted by Harry Rabinowitz. The ensemble singers included Marilyn Hill Smith (soprano), Peter Morrison (baritone) and guest stars including Benjamin Luxon. Our tenors included Hugh Hetherington, Ramon Remedios, Neil Jenkins, David Fieldsend, and our mezzo sopranos included Jean Bailey, Della Jones, Eirian James, and Linda Ormiston.
Each episode features different themes within operetta with new musical arrangements for each. The musical line-up being played by full orchestra, piano-only, and also an octet:
- Ep 1 - ‘This Will Be My Shinning Hour’ (TX 29/04/84)
- Ep 2 - 'The Best of All Possible Worlds' (TX 06/05/84)
- Ep 3 - 'One Night of Love' (TX 13/05/84)
- Ep 4 - 'Dance Little Lady' (TX 20/05/84)
- Ep 5 - 'Play To Me Gypsy' (TX 27/05/84)
- Ep 6 - 'When Vienna Sings' (TX 03/06/84)
*Note: Julia Migenes went on to star in Carmen (1984 film) in the lead role opposite Placido Domingo, directed by Francesco Rosi. The film won many awards and after which Julia decided to focus her career not in the UK.
The Top C's ConceptProduced and transmitted between 1982 and 1985, the concept was designed for a prime-slot, to be popular in the TV ratings.
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Musical ExtractsJust a handful of short clips from the extensive repertoire performed by some of the original cast for a new and exclusive TV audience.
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The Top C's StoryThis genre of music was and still is under represented on TV and other media, popular entertainment with familiar titles and memorable tunes.
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Reviews & NoticesWhat they say .... a regular mail bag which included viewers requests for song titles. Brief extracts from letters and other articles.
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Songbook & CDsThe songbook is still available to purchase, the CD set by Marilyn Hill-Smith and Peter Morrison was produced independently.
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Channel 4 Responses"Top Cs won the channel’s most enthusiastic response by phone and letter for its stylish rediscovery of the middle ground of operetta."
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